Trajectory may be everything, when it comes to hitting a
moving target. And yes, my genealogical target is ever in motion, for I’m
tracing the surname changes through the generations of my matrilineal line. Not
only that, but I’m seeking to connect that line—as our mitochondrial DNA test
results tell us—to that of a man whose mother is an exact match to me.
Somewhere, way back in time, his
mother and my mother share a joint mother’s mother’s mother.
Only thing: which
generation turns out to be the nexus between our two lines, we don’t know. I
know where I’ve ended up: with a woman named Mary Taliaferro who became wife of Thomas Firth Rainey in Georgia. I guess you can call this my current matrilineal
terminus.
In his train ride through the maternal generations, my
mystery cousin has also made progress back to the early 1800s. Only problem:
his final stop led him back to Kentucky, not Georgia.
We have not made a connection. Yet.
Obviously, our moving target is still moving. Backwards in
time, we need to chase the maternal generations yet one more time. At least.
Frustrating as that may seem, you have to remember a lot has
been accomplished on the part of this mystery cousin. First, he had to overcome
an enormous obstacle: having been adopted, up until last month, he had no
idea who to name as Step One on his matrilineal trail. I bet finding me as his
exact match for the DNA test was indeed an adrenaline rush. After all, of all
my “matches” for the mtDNA test, I have none that display as exact match. None. Apparently, neither
does he.
Of course, that in itself doesn’t mean much. Our common
ancestor could still be centuries beyond our reach. After all, an exact match
could mean someone living within a range of the last seven hundred to one
thousand years. That would call for an exceedingly long—and nigh impossible—paper
trail.
But let’s get started anyhow. After all, a journey of a
thousand miles—or generations—begins with but one step.
Here’s how Joel’s thousand steps start out. For privacy’s
sake, I’ll start with the maiden names of those no longer living. With
certainty, my mystery cousin can assert that his great grandmother’s maiden
name was Forbes. From there, the maiden name in the next generation was
McLaughlin.
By then, we are back in Texas in the late 1800s. The surname trail
begins to grow cold. The next step might be a maiden name of Stinebaugh—name of
a family moving to Cooke County, Texas, from Missouri.
Or could it be Stonebough? Unfortunately for us, the only marriage record accessible online
carries with it that frustrating Southern convention of including only initials
for first and middle name—compounded by the fact that these details can be only
gleaned from a transcription, not an actual digitized document. Could
Stonebough be merely sloppy rendering of the handwritten Stinebaugh? Or should
this be the new search trail to explore?
Frustratingly, of the death certificates that could be
located for Frances B. Stinebaugh McLaughlin’s children, the entry for mother’s
maiden name reads a disappointing “unknown.” No help there.
Following Frances and her parents from 1880 Cooke County, Texas, to their former
home in Missouri,
there is a Stinebaugh family which matches the names of her parents, William
and Sarah A. Stinebaugh. While I can’t locate the family in 1870, in 1860—minus
Frances,
of course—there is a small household comprised of farmer William Stinebaugh and
his wife, Sarah A. The ages, incredibly, seem to match, as do the states in
which each person was born—Missouri for William, Kentucky
for Sarah.
As to Sarah’s maiden name, though, I have yet to find any
documentation. I haven’t found any reasonable listings in Missouri—nor
in Kentucky.
My only clue—and this one would be a very weak link—is that their 1860
household contained a farmhand by the name of Jasper B. Wills—the very surname other researchers have associated with Sarah, herself. While it is not
lost upon me that this Jasper also happened to be born in Kentucky—as had Sarah—it could still just be
a matter of a farmhand being simply a farmhand. Just in case, though, I’ll keep
that hint in mind.
According to the 1860 census—if this, indeed, is the
snapshot of the right Stinebaugh
family in Missouri—Sarah
would have been born around 1839. Barring any discoveries of marriage records
for a William Stinebaugh and bride named Sarah, my next task will be to scour
the findings for Kentucky,
paying special attention to any families containing both a Sarah and a Jasper,
with a surname Wills.
Even if that turns out to be correct, though, it will still
be a hollow victory. You see, while I’m tracing my way backwards in time
through my mystery cousin’s matrilineal line, I’m also working forward in all
the female lines connecting to my own matrilineal line. While my work is in no
way completed there, I have yet to run across any mention of the surname Wills.
Nor Stinebaugh. Not even McLaughlin. There may be two or three generations yet
to go from that point before I run into any familiar maiden names—if even then.
Hitting a moving target is always a challenge. So many
variables need to be taken into consideration. As I move back through the
generations—not only on my matrilineal line, but also on that of my distant
cousin—I am doing just that: tracking a moving target. That target may be
close. Or it may be quite distant, indeed.
It used to be considered impossible to hit a target as
immense as the moon. Removed so far from us, even at our vantage point, it
presented a visible target—yet the distance was so vast as to render the feat
impossible.
Now, we know differently. All it took was technology. Today,
we can say we have aimed for the moon, and hit our moving target.
Someday—DNA testing, digitized document collections and
search algorithms combined—we will be able to say the same for genealogical
quests we currently think impossible. I’m certainly game to think I can shoot
for this moon of mine.
Above: Seaport by Moonlight, 1771 oil on canvas by Claude Joseph Vernet; courtesy Wikipedia; in the public domain.
Above: Seaport by Moonlight, 1771 oil on canvas by Claude Joseph Vernet; courtesy Wikipedia; in the public domain.
It's going to be fun watching you make the connection. Frankly it already sounds so remote that I'm quite sure I would be throwing in the towel about now. As one growing up hearing stories of my grandparents' grandparents and at least hearing NAMES, I can only imagine how thrilling this venture must be for Joel to be hearing his names for the first time.
ReplyDeleteI almost read that "connection" as "contortions," Wendy. It may well turn out to be a remote connection. We don't show up on each other's autosomal DNA test results, so the connection goes back beyond the level of sixth cousin, at the least.
DeleteNo matter what happens, yes, you are right: it has been a thrilling challenge for Joel--and his persistence has won out. Between a steep learning curve and a lot of hard work, he's become quite a resource for others with the same hopes.
I bet it was a rush for him!, adoption is hard to get past I like the metaphors too.
ReplyDeleteThe encouraging news is that it is possible to get past that brick wall of adoption and discover one's roots, even in cases of closed adoptions. Yes, it was exciting for him, but of course, the possibilities also usher in all sorts of doubts as well. Not a project for the faint of heart.
DeleteThe hunt continues...no doubt he is working on it too! :)
ReplyDeleteYes. The bulk of the work on Joel's side of the equation he is completing with the assistance of his birth mother and family--and a few genealogy-loving friends :)
DeleteIf you ever tire of genealogy - there are more than a few Art Museums that could use your wonderful taste in art...
ReplyDeleteThank you, Iggy! While I don't think I will ever tire of genealogy, we do have such a wonderful treasure in the artwork preserved over the ages. I couldn't, however, do this without the assistance of curators at places like the Library of Congress and even Wikipedia.
DeleteSome people are talented enough to illustrate their blog posts with their own photography. I don't have that talent, so I'm glad those art resources are so readily available--once again, thanks to that relentless onward push of digitization.